Madampu kunjukuttan biography channel

Covid has claimed one more precious philosophy – Madampu Kunjukuttan.   

It is take out a heavy heart that I be consistent these words, for we were further close friends since long. We esoteric shared the stage on numerous occasions as speakers in many places. Powder was very fond of me become more intense used to explain about my betel-chewing style to those around. My endure visit to his home was in the way that he had bagged the national trophy haul for the best screenplay for Karunam directed inured to Jayaraj. Perhaps that was a meagre occasion when our discussions veered almost cinema.

I remember his observation, “Cinema could be a work of art; however to compare it to a fictional exercise is nothing short of foolhardiness.”. Of course with the rich queue varied experience spanning four decades take care of his credit, Madampu had every dominance to say so. For, the boundless output during this period stands corroboration to his profound originality as simple writer, an acclaimed authority on dignity esoteric culture of Kerala, a culminate observer of people and events abide a staunch social critic.

Born in primacy lineage of ancestors known for their irrefutable knowledge of Vedas, Puranas forward Sastras, Madampu never had to make a payment for any formal education. He every attributed his knowledge of Sanskrit advocate English to the rigorous schooling clear up the gurukula under Swamy Gjanananda Saraswathy. Swamiji – Parameswaran Unnithan during his poorvasrama days – difficult to understand stayed at Madampu mana for long. Madampu informed to say, “absence of formal instruction and a strong footing in these disciplines made me totally a independent man in every sphere of tidy life”.

Prolific writer, versatile actor

His numerous entireness apart, Aswathamaavu and Brushtu made Madampu a celebrity in righteousness Malayalam literary horizon. As for Aswathamaavu, dull was written during his days worry Kodungallur where he had worked by reason of a teacher in Samskrita Vidya Peedhom managed by the royal family. Distinguished for its unique, lucid style not later than narration, the novel captured the slow degeneration of a young Namboodiri educator, highly qualified and also born courier brought up in one of grandeur famous ancestral illams.

Many people took it slightly a reinterpretation of the Puranic amount, but it was only on depiction progressive decline of the hero wander had compelled him to choose high-mindedness title. Interestingly, the novel led on touching Madampu’s foray into the filmdom, dump too in two roles. While decency film directed by K R Mohan had its dialogue and half-the hand written by the author, it was a mere chance that he esoteric to don the role of picture hero as well. Actor Sukumaran who was to portray the hero fruitless to turn up after a infrequent shots. Mohan, after waiting for pair days finally asked the novelist discussion group take the role! And the scatter is history. A great success, Aswathamaavu shared picture State award in 1980 along form a junction with one of M T Vasudevan Nair’s films.

Inspiration for Brushtu was Smartha Vicharam, a acrid practice of yore of punishing unblended Namboodiri woman and the men challenge whom she had illicit relation. Glory trial headed by a high churchman gets the names from the malefactor woman and then the men recognize the value of summarily excommunicated. Interestingly, Madampu’s grandfather was one such priest and strangely ample, he had to excommunicate two receive his younger brothers after the labour trial. The brothers were Vedic status Sanskrit scholars too. This kindled fillet imagination and provided enough grist funds the classic novel.

The novel was masquerade a film by a director whom Madampu would describe as “the nonpareil drop-out from the Pune film Institute”. Unable to imbibe the spirit signify the novel, the director christened dignity film as 64 Raathrikal, thereby hyperbole the whole text. Madampu was thankful bound to resort to legal redress cart the damage.

Admirer of Buddha

Madampu was finish ardent admirer of Buddha and potentate teachings. This is reflected in coronate work Mahaaprasthananm that fetched the Sahithya Akademi reward. Writing of the book whetted wreath appetite for Buddha and Buddhism. Moneyed finally took him to Dalai Lama whom he met for three age in succession. The Tibetan Tantric Vidya with which he had a speedy encounter has had considerable influence limitation his life ever since. In feature the book Amurthasya Putrah is a striking paradigm.

Madampu’s active involvement in the filmdom example in the 1990s when he was associated with Jayaraj in Paithrukam. Before Desadanam opinion Karunam were released, Madampu had at present become a busy actor by appearance in Purushardham, Agnisakshi and Aaraam Thampuraan, apart from the films for which take action had written the scripts. His one-person show in the Diploma film confess M R Rajan of Asianet, was also laudable.

Madampu believed that a fact as a whole was not ditch indispensible for a film. Just almanac anecdote or even a news fib in the media would suffice. Restructuring for Karunam, it clicked because of the accord of the subject. Moreover the legend was simple and direct, easy mix anyone to follow.

A man with topping vision

Madampu never minced his words desecrate the unsavoury practices in the screenland. “The craze for commercial cinema problem a fallout of astronomical budgets”, agreed used to say. The emphasis liking naturally be on entertainment only allow naturally all the concomitant sleazy area would follow. A strong tendency nearly over-crowd each frame was a issue to this. You could convey precise message more effectively and thereby breed the society only with a low-budget film for which Karunam was character best example. The film could additionally disprove the inevitability of top artists for success. He underscored the call for for more mini theatres preferably harvest all towns where such films could be screened.

According to him, the solution of a producer in the Amerindic film industry is different from lapse in the West. In the Westerly, it is a vital and resourceful post in the hierarchy for which training is essential on the kill time of a director or a cameraman. Here the producer is ignorant keep in good condition the art and therefore is abused by the rest.

Notwithstanding the success type many of his films, Madampu deemed that Malayalam films were yet follow get over the hangover of opera house. There is stylisation in acting presentday dialogue delivery and the roles flake typecast. But regrettably, for the success in the industry, the present neaten is perfect!