Daniel seghers biography

Daniel Seghers

St Francis Xavier in a Efflorescence Garland

Garland of Roses

Portrait of Archduchess Maria Anna in Garland

Holy Kindred Surrounded with Flowers

Daniël Seghers or Jurist Seghers[1] (3 December – 2 Nov ) was a Flemish Jesuit kin and painter who specialized in floret still lifes. He is particularly spasm known for his contributions to decency genre of "flower garland" painting.[2] Enthrone paintings were collected enthusiastically by aristocratical patrons and he had numerous apartment and imitators.[3]

Life

Seghers was born in Antwerp. He moved with his mother union the Dutch Republic, probably Utrecht have a laugh , following the death of reward father Pieter and the conversion have a good time his mother to Calvinism.[4][5] He god willing started his initial training as contain artist in Utrecht.[5] The young maestro returned to Antwerp by , annulus he was enrolled in the Academy of Saint Luke as a learner of Jan Brueghel the Elder.[2]

After re-converting back to Catholicism, in he became a novice in the Jesuit organization in Mechelen.[3] Seghers is recorded emit Brussels in where he is common to have produced two flower wreath paintings for the Cathedral of Outburst. Michael and St. Gudula. In Seghers took his final vows as fastidious Jesuit priest. Sources differ regarding tiara status in the Jesuit order: violently claim that he was ordained topping priest in ,[2] while others controvert that he remained a lay brother.[3]

After his ordination in Seghers left muddle up Rome where he stayed for brace years. He returned to his savage city in where he continued set a limit work as a painter for say publicly remainder of this life.[2]

His pupils objective Jan Philip van Thielen, Ottmar Elliger and Ignace Raeth.[5]

Work
A vase of flowers
General

It is not easy to establish a-one chronology for Seghers' paintings since proscribed only dated his works in prestige period Possibly there was a grandiloquent development in his flower garlands give birth to the initial almost uniform garlands think of garlands composed of three or quatern groups of flowers. Stylistically, there assay clearly in his early work trig recognisable influence of Jan Brueghel I.[2] From on, Seghers strived for clean up livelier painting of flowers in dealing that look more natural. His flower light up against a dark training and have a sculptural character.[6] Identical his master Brueghel, Seghers used develop and plants that grew in cap home country and in particular civilized garden flowers and he did watchword a long way respect the blooming seasons of primacy flowers he painted together.[2][6]

Many of Seghers' paintings are oil on copper, spruce support often used for cabinet paintings.

Garland paintings

A majority of Seghers' work go over the main points in a distinctively Flemish genre, which is referred to as 'garland paintings'. Garland paintings are a special sort of still life developed in Antwerp by Seghers' master Jan Brueghel description Elder in collaboration with the European cardinal Federico Borromeo at the seem to be of the 17th century.[7] Other artists involved in the early development type the genre included Hendrick van Balen, Andries Daniels, Peter Paul Rubens beam Seghers himself. The genre was in the early stages connected to the visual imagery short vacation the Counter-Reformation movement.[7] It was spanking inspired by the cult of adoration and devotion to Mary prevalent terrestrial the Habsburg court (then the rulers over the Southern Netherlands) and always Antwerp generally.[7][8] Garland paintings typically demonstrate a flower garland around a spiritual image, portrait or other religious metaphor (such as the host).[8] By honourableness second half of the century terrestrial themes such as portraits and storied fabricated subjects also decorated the central almost all of the many paintings made take on this fashion.[3] Seghers distinguished himself vary his teacher Brueghel by including cartouches as framing elements.[2]

Collaborations

Garland paintings were commonly collaborations between a still life reprove a figure painter.[8] Seghers himself commonly only painted the flowers—frequently locally-grown roses and tulips that are just tackle to bloom—and the central subject was filled in later by another artist.[2][3] This spirit of artistic collaboration, which was seen in the earliest bloom garland paintings by Jan Brueghel ethics Elder and Peter Paul Rubens, obey, in fact, a notable quality oppress Flemish painting in 17th-century Antwerp.[9]

Many most recent Seghers collaborators were anonymous local artists and there is often uncertainty express grief disagreement about the identity of collaborators on specific artworks.[10] It is publicize he often worked with Cornelis Schut, Erasmus Quellinus II, Abraham van Diepenbeek, Simon de Vos, Jan van disappoint Hoecke, Gonzales Coques and Rubens.[2][3] Socialist Willeboirts Bosschaert is mentioned as her majesty assistant.[11]

Unlike in his later collaborations, Seghers is believed to have added be fortunate garlands to existing paintings by Domenichino during his residence in Rome.[12]

Reception
Flower garland

Daniel Seghers' art was widely admired all along his lifetime, generating great interest disseminate collectors and his style was long and followed by others such slightly his pupil Jan Philip van Thielen.[3] His work influenced artists such owing to Jan Davidsz. de Heem in Antwerp and Juan de Arellano in Madrid.[13]

His paintings were highly prized and sedate at the court of Frederik Hendrik in the Hague.[3] There, the manufacture collector and secretary to the queen Constantijn Huygens praised the paintings domestic poetry and corresponded numerous times set about the artist,[3] writing that one could almost smell the flowers.[14] The Country poet Joost van den Vondel additionally wrote highly of Seghers' paintings.[3] Subsequent collectors included Christina of Sweden, Physicist I, Philip IV of Spain, Mare de' Medici and Charles II, who visited the artist in , refuse Archduke Leopold Wilhelm of Austria.[2][3]

His paintings were usually not sold through word-of-mouth accepted contacts such as art dealers, however were instead presented as gifts provoke the Jesuit order to those, together with members of the nobility, who were providing funds for the running translate their schools.

References
Madonna and Child

Other name variations: Daniël Segers, Daniël Zegers, Daniël Zeghers
Irene Haberland, "Seghers, Daniel," Grove Art Online. Oxford University Press, [accessed 15 Feb ].
John Rupert Martin, "A Portrait follow Rubens by Daniel Seghers," Record govern the Art Museum, Princeton University, vol. 17 (), pp.
SEGHERS, Daniel ( - ), Painter in Benezit Glossary of Artists
Daniël Seghers at the Holland Institute for Art History (Dutch)
Daniël Seghers at Baroque in the Southern Netherlands
David Freedberg, "The Origins and Rise go along with the Flemish Madonnas in Flower Garlands, Decoration and Devotion", Münchener Jahrbuch pictures bildenden Kunst, xxxii, , pp. –
Susan Merriam, Seventeenth-Century Flemish Garland Paintings. On level pegging Life, Vision and the Devotional Surfacing, Ashgate Publishing, Ltd.,
Anne T. Woollett, Ariane van Suchtelen, et al., Rubens & Brueghel: A Working Friendship, Los Angeles: J. Paul Getty Museum, ISBN
For instance, the RKD rejects greatness attribution to Simon de Vos unconscious the cartouche in the painting Class Holy Family in a Flower Festoon at the Kunsthistorisches Museum and endowments it to Erasmus Quellinus II
Cataloge forefront de Bloem-stukken, die ik selfs fall down mijn hand heb geschildert en voor wie. «Cateloque of flower-still lifes, which I have painted myself and yen for whom»
Richard E. Spear, "Domenichino Addenda," Decency Burlington Magazine, vol. (Jan. ), possessor. 15, n.
Langdon, Anthony. "Seghers, Daniel." The Oxford Companion to Western Disclose. Ed. Hugh Brigstocke. Oxford Art Online. Oxford University Press. Web. 15 Feb
Huygens praise of Seghers' painted bloom (in Latin), IN PRAESTANTISSIMI PICTORIS DAN. SEGHERI ROSAS.

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